Messing around in Illustrator.
“Le Beau sous les trois espèces: Poésie, Amour, Provence” — Mistral
yep yep
(Source: 4nthony.com, via m4h4)
(A) story of destruction, is also a story of rebirth—of couples paired off under divine authority. “Moonrise Kingdom” poses a vast question: Who are the righteous? Those whose love is true and beautiful. It’s proven true by their readiness to face danger, even death; it’s proven beautiful by their sense of style, which, in Anderson’s world, is the touchstone of great emotion and the noble expression of it—the conversion of great emotion into great and good works, and thereby into the improvement of the world through its beautification.
There’s a morality to beauty, and the sublimity of the young lovers’ idyll has a practical effect on other, adult lovers. One of the film’s sweetest themes is the idealism of young love and how life’s trials make it easy to lose and tough to recapture. Music, books, art, fashion, and all sorts of beautiful objects are seen here as the food of love—a feast that lovers themselves prepare, and for which they gather the ingredients on the wild side. Anderson’s style has never reached as celestially high or approached the skin as tenderly or the soul as intimately as it does here—nor has it ever reflected back onto itself with as poignant a self-consciousness, even self-revelation.
Read more http://www.newyorker.com/online/blogs/movies/2012/05/wes-anderson-moonrise-kingdom.html#ixzz1w4sumzcS